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🤍 Sometimes a single pedal can be transformative, allowing your tone to bloom in a way that draws music out of you effortlessly and keeps you engaged for hours on end. The simple look and feel of Cloudburst belies the power underneath the hood, because it produces some of the most gorgeous ambient reverb tones and soundscapes that you’ve ever heard out of a guitar reverb pedal - there’s literally nothing else quite like it.
🤍 For this lesson we are only allowed to use the middle 2 strings of your guitar. This helps you look at your fretboard in a new light. For improvisation, it allows you to create from a new space. Your tired licks can be put to rest as you explore new phrasing and ideas! Hope you enjoy it!
Includes a paid promotion 🤍 In 1987, Mike Soldano created the now legendary Super Lead Overdrive 100-watt tube head. The SLO set the standard for modern high-gain amplification and nearly four decades later, is still one of the most coveted amps in history. The SLOs drive channel found it backing up renowned rock guitarists like Mick Mars (Motley Crue), Warren de Martini (Ratt), and Howard Leese (Heart), while the bluesy crunch channel made the SLO the first choice for non-metal stalwarts, such as Mark Knopfler, Eric Clapton, Warren Haynes, Gary Moore and Lou Reed, to name a few. The SLO-100 is famous for being one of the most detailed-sounding high-gain guitar amplifiers of all time. Until now, it’s been challenging to capture the amp’s nuanced character in a pedal format. The new Super Lead Overdrive pedal changes that, with the perfect balance of gain, sustain, and touch response the SLO is known for. Crafted using the same cascading gain stages as the flagship amp, the SLO pedal is the perfect way to get that signature Soldano sound on to your pedalboard. The SLO pedal front panel boasts the same controls for Gain, Volume, Presence, and a 3-band EQ as the 100-watt tube amp. The side-mounted Deep switch nails the amp’s depth-knob low-end punch. These controls take you from harmonically rich crunch to some of the most famous high-gain in history. So, whether you’re after modern metal, Warren de Martini tones, or ‘80s-era Clapton, the SLO Pedal is where you’ll find them.
Includes a paid promotion Get your Ridge here: 🤍 Amp used: 🤍 Cherub Flow Tune Clip: 🤍 Kernom invented analog morphing core, a new and unique patent pending approach to electronic clipping circuits. It controls the nonlinear elements of the clipping stage (traditionally diodes) by changing in real time their threshold, making them behave like a new kind of diode. Use the mood knob to select the personality of the pedal, from the ultimate clean boost to a fully compressed and characterful overdriven sound.
Nobels ODR-1 video by Mike Hermans In case you've always wondered what the Nobels ODR-1 pedal sounds like? Here you will find the right sounds and answers! "The best overdrive on the market." - Jerry Donahue, Hellecasters Rated the best overdrive by Nashville studio guitarists, the Nobels ODR-1 presents a natural, tube-amp style overdrive that is versatile, amp-like, and affordable. The ODR-1 has been on the market for over 30 years and remains the number one choice. Creates crunchy rock and blues sounds or extra boost for soloing without smothering the natural character of your guitar's tone. The Specturm controls optimizes tones from single coil chime to powerful humbucker rock. When adjusting the Spectrum control up or down the circuit ensures you have plenty of clarity and full dymanic range. Features solid metal chassis and Nobel's Remote Control Jack switching system so you can control pedal from remote - no modifications necessary.
Includes a paid promotion 🤍 Andy Timmons’ mysterious sounding “Halo” effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO. Notes from the HALO dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning. The HALO comes loaded with his signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy’s signature “Halo” sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal!
🤍 🤍 The V-3 version Several months ago, we wanted to find a special way to celebrate our upcoming 10 Year Anniversary so we decided to pull out our Vibe Machine breadboard. We played around with the complex opto-system a lot and one specific setting sounded out of this world. We tried tons of different settings, but we kept on coming back to this one. It was like re-mixing your greatest album. You know it's great, but you wanted to add some magic touches to it to make it even more special. We didn't expect that our breadboard experiment would result in a completely new version of our Vibe Machine, but this one is really something else and we couldn't just keep it to ourselves. We wanted to share it with the World. V-3 has its own colorful magic going on. The main difference between V-3 and V-2 is in the modulation EQ. V-2 modulates just a slight part of your main tone (mid-range focused modulation), while V-3 blends in nicely with your main tone and modulates it without changing the EQ. V-3 has a wider modulation and brings you more depth.
🤍 This harmonic tremolo gives you a huge range of tonal possibilities. It can be used as a standalone tremolo, optionally with with some layered on reverb, or you can dial in some complex textured delays and feedback to create dreamy soundscapes. And of course you have everything inbetween.
Here's my arrangement of Springsteen's Dancing in the Dark 🤍
Buy Now: 🤍 The Digitech Ventura Vibe offers three different modes of classic swirly tones into one compact unit. Vintage mode offers the classic Uni-vibe tone while Modern mode offers a great sounding vibrato effect. The Rotary mode gets you into Leslie and Organ type tones. With a knob for speed, mix, depth, tone and drive, You can dial in a huge variety of tones with the Ventura Vibe. Hold down the footswitch on the Ventura and the speed ramps up. Digitech made the Ventura with stereo inputs and outputs as well as true-bypass.
🤍 🤍 We should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating and adding different tones to your symphony. It’s in your tone. It’s about your tone. It’s above your tone. It’s metasymphonic. It’s the things you can’t create with your fingers or mind. All the textures that define an essence; in one pedal.
Buy Now: 🤍 The Pettyjohn Chime takes the pre-amp side of the outstanding Pettyjohn Pettydrive and tweaks it to make it a very versatile standalone drive pedal. The Chime has 2.5 times as much gain on tap and also sports a boost knob to dial in the amount of saturation you're looking for. The Chime lets you choose between 3 different clipping modes for possibilities that range from clean and chimey boost to harmonically rich low gain grit through to low gain fuzz tones. You can pair the Chime with any guitar or amp due to its excellent tone range and 3 position low cut toggle switch. The Chime has very high headroom as well as true bypass.
🤍 🤍 Pop Into The Chemist playing a Private party in upstate New York Bird Song by Grateful Dead Mike Hermans Guitar Randy Wooten Drums George Chinaglia Bass Xotic California Classic Strat Carr Telstar Strymon Brigadier Cornerstone Gladio Jetter GS124
Buy Now: 🤍 The Alexander Oblivion is a Vintage voiced delay with all the bells and whistles. The Oblivion has 4 Delay machines: Analog, Tape, Oil Can and Multi. Each has a distinct voice and can be morphed in different ways. The modulation on the Oblivion is luscious and you can choose from 5 different wave forms. The Oblivion comes with MIDI control, tap tempo and 5 presets or 128 presets via a MIDI controller. You can also plug in an EXP to get even more in depth. The Alexander Oblivion can be as simple or complex as you want and it and it sounds glorious!
Buy Now: 🤍 The Malekko Sneak Attack is a digitally controlled analog VCA pedal that can double as a killer Tremolo pedal with a ton of variety. The Sneak Attack's auto trigger mode is great for fast or slow volume swells. You can adjust your swells using the attack and decay length and curve knobs for a variety of cool textures. Or you can put the Sneak Attack into manual mode for swells on the fly. Plug in the Lil Buddy for tap tempo control of the LFO mode so your Tremolo rhythms stay in sync with your music. Malekko also allows you to sync manual or LFO mode using an external click track. Paired with other pedals in your arsenal, the Sneak Attack from Malekko becomes a very powerful tool.
Buy Now: 🤍 The Fuzz Master General is Earthquaker Devices' take on the vintage Ace Tone Fuzz Master FM-2 Professional fuzz machine, an octave fuzz that was very similar to the wildly popular Super Fuzz. Earthquake Devices has improved on the feature set to bring it into the modern era with a more accurate Fuzz control that delivers a much broader spectrum of dirt tones . They added a “Voice” toggle to further enhance your dirt desires and wrangle a more variable tone out of the classic circuit. This toggle selects between germanium, silicon and no diode clipping. The Fuzz Master General has a variable tone control that allows you to dial in anything from a wide open treble assault to a super-scooped, bass heavy blast. It also has significantly more output volume and a much lower noise floor than the original, vintage unit.
The Supro Blues King 12 combo amplifier captures the vintage Supro amp tone that helped sculpt the sound of early electric Rock & Roll and the British Invasion of the 1960s. The “single-ended” Class-A tube power amp found in the Blues King provides the raw tonal characteristics and remarkable touch sensitivity of these mid-century combos, while delivering a full 15 watts of 6L6 tube power. Front-end gain in the Blues King is supplied by a 12AX7 tube preamp and a FET-driven, fat boost function. In addition, the amp’s high-gain mode uses a series of cascaded FETs to achieve face-melting levels of distortion and sustain. 3-band EQ and Master Volume controls join the footswitchable boost and gain functions to provide multiple layers of stackable overdrive for gigging, recording and home practice. Learn more here: 🤍
Mike Hermans demos the Supro 1610RT Comet Amplifier. Learn more here: 🤍suprousa.com/comet
The Supro Delay is a premium analog echo pedal that delivers up to 600ms of buttery vintage delay. In addition to TIME, REPEATS and LEVEL knobs, the Supro Delay features a unique FILTER control that provides both low-pass and band-pass functions on a single knob. Using a pair of new-production, MN3005 “bucket brigade” IC chips, the Supro Delay achieves the best signal-to-noise ratio and the most headroom available from any analog echo pedal, new or vintage. Drawing inspiration from the golden era of analog pedals, the Supro delay was designed by Howard Davis, mastermind behind the legendary late 1970’s EHX Deluxe Memory Man. The original Panasonic MN3005 BBD chips used in these vintage analog delay pedals have been out of production for decades. Far superior in fidelity to the lower-voltage MN32XX series chips more commonly used in modern stompboxes, these high-voltage bucket brigade IC chips provide the longest possible delay time in an analog unit as well as the best headroom due to their robust 15V power rails. Housed in a custom-made anodized aluminum chassis, the Supro Delay features softtouch, click-free true bypass switching, so no footswitch noise creeps into your delay line. The Supro delay runs on standard 9VDC power, using internal voltage-doubling to provide world-class performance from a compact stompbox. Taking the analog delay pedal platform one step further, Supro Delay offers an Expression port for assignable control of the TIME, REPEATS or LEVEL knobs using a standard TRS expression pedal. Features: • All-Analog MN3005 BBD Delay • 600ms maximum delay time • 20ms minimum delay time • Variable LPF & BPF tone control • Assignable Expression pedal control • Soft-touch, click-free True Bypass switching • Accepts 9VDC 2.1mm neg. tip power supply • Sound design by Thomas Elliott and David Koltai • Original circuit design by Howard Davis • Pedal size: 12cm x 6.5cm x 6.5cm
🤍 Includes a paid promotion Gladio SC (single channel), is designed to offer the same sound of the "big brother" Gladio but in a smaller and compact size. While the Gladio double channel was inspire by the artists like Robben Ford and Sonny Landreth, the Gladio SC tries to take a step closer to the Steve Ray Vaughan sound, which was achieved using a Dumble amplier too. The Gladio SC is based on the Gladio 1st channel, with the exact same sound and controls, except the new CLEAN knob. This addition makes a very big dfference, and it's the one that could actually make the sound be closer to SRV.; the clean signal is taken directly at the input of the pedal and mixed back with the overdriven signal at the output, the CLEAN knob thus manages the volume of the clean signal. with the result of having a "clean layer" on top of the overdrive sound, which help a lot to achieve that texas-blues sound. A Clean knob like this affects 3 parameters all at once (you can notice their change sweeping the Clean from zero to even a 40% rotation): - Bottom End: the sound becomes fatter - Compression: The non-compressed clean sound comes into the mix, and the change in compression is particularly accentuated on the attack. - Saturation: When the clean sound comes into the mix the final output sound becomes hotter, and it’s able to better push the front end of the amp.
Visit my Patreon page for lessons, licks, audio downloads and arrangements! 🤍 Bob Dylan's Blowing in the wind Gear: first melody- King Tone Soloist 2nd melody - Jetter GS124 strymon Volante Strymon Flint EHX Super Ego Two Rock SP50
Live in Ithaca Pop Into The Chemist - Live to tell (Madonna) Mike Hermans - Guitar Randy Wooten - Drums George Chinaglia - Bass Xotic California Classic Carr Telstar Cornerstone Gladio Strymon Brigadier MXR looper Digitech Whammy
Buy Now: 🤍 The Space Spiral from Earthquaker Devices is dark, Lo-fi style Delay that conjures up the sounds of old Oil Can and well-loved tape Delays. With Delay times ranging from 30ms to 600ms you can dial in anything from slapback to rhythmic gallops to ambient washes of sound. A powerful modulation section lets you create subtle and lush waves to wild pitch bends and beyond. The Space Spiral is an analog dry signal path and an all digital delay path. The Space Spiral will take you to the outer reaches and back again!
Buy Now: 🤍 Earthquaker Devices and Park Amplification have come together to bring you the re-incarnation of the Park Fuzz Sound. This 3 Germanium Fuzz captures an amazing Vintage Fuzz tone that brings you back to the 60's. You get all the amazing tones of the original Park Fuzz with extended Gain and tone controls. You also get Metal Film Capacitors, LED, a smaller footprint and a standard center negative 9V DC.
Buy Now: 🤍 For BOSS's 40th Anniversary, they've given thier classic Distortion a make over. Available only in 2017, the DS-1 4A comes in all black with gold lettering, gold-capped knobs and a vintage silver thumbscrew for the battery department. The original DS-1 was released in 1978 and 40 years later its still an extremely popular pedal that can be found on Pro pedalboards all over the world. Get a piece of History with the BOSS DS-1 4A!
Konsequent is a warm and natural echo sound. The original preset is grooving pattern( Four note + dotted Eight ) delay time: 800ms Visit our website to download the firmware, you could update the firmware(bin) to get more function like holding the foot switch to change to regular pattern (Four note ).
Cerberus Integrated Effects & Controller Cerberus is a multi-function effect pedal which can be used standalone or with the 4 cable method and comes packed with extraordinary features including inside routing, IR loader, analog overdrive & distortion and digital effects
Overdrive with Clean Boost The drive sound of this pedal is full of clarity and harmonics. A premium 10dB clean boost with 3 modes brings you more punch and dynamics. Press the drive knob to have "more bass" that fatten up your tone. It is well packed with everything you will expect from an overdrive pedal. List Price: 89.99 USD Ask your local dealer for better price.
Includes a paid promotion 🤍 Discover why top artists and producers have chosen Eventide for over 50 years with the H90 Harmonizer®, Eventide’s next-generation multi-effects pedal. Whether you want high-quality bread-and-butter effects or experimental sounds unheard, the H90 has everything you need to inspire your creativity with an intuitive UI designed with players in mind, 62 effect algorithms, and hundreds of Program combinations curated for a variety of instruments and genres. With its comprehensive I/O and flexible routing options, the H90 is designed to be the heart of your rig.
Buy Now: 🤍 The ThorpyFX Peacekeeper is a low gain overdrive that goes from clean boost to medium grit and into crunch. At low gain settings you get an amazing edge of break up tone and at higher gain settings you get amazing blues lead tones. The pre-gain mids presence knob take you from scooped and smooth to a more aggressive mid range tone and everywhere in between. The Peacekeeper also has post-gain treble and bass knobs to dial in the ultimate tone. Thorpy's Peacekeeper is an extremely versatile overdrive!
This video contains a paid promotion 🤍 Go Direct With Gorgeous Tone. Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it’s a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.
🤍 Here we have the Wampler Tumnus Deluxe. The most legendary circuits is now available with a 3-band EQ and a hot switch. The new EQ let's you match the Tumnus to any guitar and amp setup while the Hot switch makes everything greasier. This pedal is a must have for any Strat or Tele player. It just thickens things up in all the rights areas while adding slight compression. Use it as a boost or crank the Gain and get into thick lead tones. Choose between buffered or true-bypass.